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Exit West: A Novel, by Mohsin Hamid
PDF Download Exit West: A Novel, by Mohsin Hamid
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Review
WINNER OF THE 2018 LOS ANGELES TIMES BOOK PRIZE FOR FICTION and THE ASPEN WORDS LITERARY PRIZE 10 BEST BOOKS OF 2017, NEW YORK TIMES BOOK REVIEW FINALIST FOR THE 2017 MAN BOOKER PRIZE, THE NATIONAL BOOK CRITICS CIRCLE AWARDS, and THE KIRKUS AWARD “Hamid exploits fiction's capacity to elicit empathy and identification to imagine a better world. It is also a possible world. Exit West does not lead to utopia, but to a near future and the dim shapes of strangers that we can see through a distant doorway. All we have to do is step through it and meet them." --Viet Thanh Nguyen, The New York Times Book Review (cover) “In spare, crystalline prose, Hamid conveys the experience of living in a city under siege with sharp, stabbing immediacy. He shows just how swiftly ordinary life — with all its banal rituals and routines — can morph into the defensive crouch of life in a war zone. … [and] how insidiously violence alters the calculus of daily life. … By mixing the real and the surreal, and using old fairy-tale magic, Hamid has created a fictional universe that captures the global perils percolating beneath today’s headlines.” ––Michiko Kakutani, New York Times “Lyrical and urgent, the globalist novel evokes the dreams and disillusionments that follow Saeed and Nadia….and peels away the dross of bigotry to expose the beauty of our common humanity.” —O, the Oprah Magazine“A beautiful and very detailed look at what it means to be an immigrant…An incredible book.” –Sarah Jessica Parker on Read it Forward “A little like the eerily significant Margaret Atwood novel, this love story amid the rubble of violence, uncertainty, and modernity feels at once otherworldly and all too real.” —New York Magazine’s The Strategist"This is the best writing of Hamid's career… Readers will find themselves going back and savoring each paragraph several times before moving on. He's that good. … Breathtaking.” —NPR.org “Nearly every page reflects the tangible impact of life during wartime—not just the blood and gunsmoke of daily bombardments, but the quieter collateral damage that seeps in. The true magic of [Exit West] is how it manages to render it all in a narrative so moving, audacious, and indelibly human.” –Entertainment Weekly, “A rating” “Hamid rewrites the world as a place thoroughly, gorgeously, and permanently overrun by refugees and migrants. … But, still, he depicts the world as resolutely beautiful and, at its core, unchanged. The novel feels immediately canonical, so firm and unerring is Hamid’s understanding of our time and its most pressing questions.” —NewYorker.com "No novel is really about the cliche called 'the human condition,' but good novels expose and interpret the particular condition of the humans in their charge, and this is what Hamid has achieved here. If in its physical and perilous immediacy Nadia and Saeed’s condition is alien to the mass of us, Exit West makes a final, certain declaration of affinity: 'We are all migrants through time.'” —Washington Post“Skillful and panoramic from the outset... [A] meticulously crafted, ambitious story of many layers, many geopolitical realities, many lives and circumstances...Here is the world, he seems to be saying, the direction we’re hurtling in. How are we going to mitigate the damage we’ve done?” –The New York Review of Books “Like the Lion, the Witch, and the Wardrobe, but set in the real world. You’ll be hearing about it, so get into it now.” —TheSkimm“Spellbinding.” –Buzzfeed“Hamid graphically explores a fundamental and important ontological question: Is it possible for us to conceive of ourselves at all, except in juxtaposition to an “other”?... What is remarkable about Hamid’s narrative is that war is not, in fact, able to marginalize the “precious mundanity” of everyday life. Instead — and herein lies Hamid’s genius as a storyteller — the mundanity, the minor joys of life, like bringing flowers to a lover, smoking a joint, and looking at stars, compete with the horrors of war.” –Los Angeles Times“In an era when powerful ruling groups — often in the minority — are gripped by a sense of religious and ethnic nativism, Mohsin offers these two, the millions they represent, and us, comfort: that plausible, desirable futures can be imagined, that new tribes may be formed, and that life will go on... If we are looking for the story of our time, one that can project a future that is both more bleak and more hopeful than that which we can yet envision, this novel is faultless.” –Boston Globe“[A] slender treasure of a novel.” –NPR's Book Concierge "Terrifying, hopeful, and all too relevant." —People Magazine “It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… This book blew the top off my head. It’s at once terrifying and, in the end, oddly hopeful.” –Ayelet Waldman, New York Times Book Review "If there is one book everyone should read ASAP, it is Mohsin Hamid’s Exit West...Short, unsentimental, deeply intimate, and so very powerful." —Goop “Spare and haunting, it’s magical realism meets the all-too-real.” –W Magazine “Taut but haunting.” –Vanity Fair "Powerfully evokes the violence and anxiety of lives lived ‘under the drone-crossed sky.’” —Time Magazine “Hamid’s timely and spare new novel confronts the inevitability of mass global immigration, the unbroken cycle of violence and the indomitable human will to connect and love.” —Huffington Post “A great romance that is also a story of refugees; this couldn’t be more timely.” —Flavorwire “Exit West is a compelling read that will make you think about the times we are living in right now.” –PopSugar"Beautiful." –The Rumpus “Eerily prescient.” –Joyce Carol Oates, The New Yorker.com “[A] thought experiment that pivots on the crucial figure of this century: the migrant… Hamid’s cautious, even fastidious prose makes the sudden flashes of social breakdown all the more affecting...Evading the lure of both the utopian and the dystopian, Exit West makes some rough early sketches of the world that must come if we (or is it ‘you’?) are to avoid walling out the rest of the human race.” –Financial Times “Exit West operates on another plane… Beautiful and poetic even at its most devastating.” –Book Riot “Raw, poetic, and frighteningly prescient.” —BBC.com “Timely and resonant.” —Publisher's Weekly, Top 10 Most-Anticipated Literary Fiction of 2017
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About the Author
Mohsin Hamid is the author of the international bestsellers Exit West and The Reluctant Fundamentalist, both finalists for the Man Booker Prize. His first novel, Moth Smoke, won the Betty Trask Award and was a finalist for the PEN/Hemingway Foundation Award. His essays, a number of them collected as Discontent and Its Civilizations, have appeared in The New York Times, the Washington Post, The New York Review of Books, and elsewhere. He lives in Lahore, Pakistan.
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Product details
Paperback: 256 pages
Publisher: Riverhead Books; Reprint edition (February 27, 2018)
Language: English
ISBN-10: 0735212201
ISBN-13: 978-0735212206
Product Dimensions:
5.1 x 0.6 x 8 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
881 customer reviews
Amazon Best Sellers Rank:
#7,156 in Books (See Top 100 in Books)
The world needs novels like "Exit West", exceptionally well-written stories that tackle timely issues in a unique and compelling way. The story centers on Nadia and Saeed, two young individuals that fall in love despite religious and societal norms conspiring against them. The story is set in an unnamed country, but conjured up mental images of somewhere like Syria, Pakistan or even India. Their relationship begins to flourish just as civil unrest builds in their country, forcing them to flee as refugees.The brilliant bit of magical realism that Hamid creates are teleportation doors that transport individuals from one country to another. As potential migrants hear about these doors, they become more difficult to escape through, guarded by the power structures. The more desirous the location, the harder it becomes to escape. The story of the refugee experience is brilliantly captured as the two lovers wind up in an upscale mansion in London overtaken by other refugees, many from Africa, along with their sojourn to Northern CA in Marin County. We come to see the characters undergo the pain and struggle of dislocation from friends, family and familiar surroundings while struggling to survive in foreign places where they are generally unwelcome. Each of them copes with the situation in different ways, creating tension in their relationship with each other.This is an absolutely astonishing book of love and loss, hope and failure, hate and acceptance. It is rightly hailed as one of the best books of 2017 and should be on everyone's must read list. It will undoubtedly become one of the best books of the decade.
Once in a while I come across a novel that makes me wish I were teaching again, a novel that begs for questions and discussion. This is one of those novels. Its brevity belies its complexity. Its characters -- main, minor, fleeting, and implied -- represent humanity as it is today. Its premise, while fanciful, creates the opportunity for readers to wonder if we have the courage to radically change how we view others and the world in which we all live. I read in a review that this is a hopeful novel and initially I was suspicious that a novel centering on the plight of innocent refugees fleeing violence and death could ultimately proffer a hopeful message. But hope there is despite the literal impossibility of its central plot device. The doors are a metaphor; do we have the courage to open them to those with the courage to walk through? Told in a spare but descriptive narrative, Mr. Hamid challenges his readers to open their minds to the possibilities that the future holds.
Exit West is one of those novels that I’m still puzzling over, some time after finishing it. The author makes some interesting choices in terms of technique. So this review is really my reflections up to now rather than a settled opinion.First, Exit West is narrated by an omniscient narrator with a cool, detached voice. This adds to the sense that the events it describes are normal, unsurprising. It tells the story of Saeed and Nadia, who live in an unnamed city in a country on the brink of civil war.Saeed has light stubble and Nadia wears a black robe, at a time when people could still choose what to wear, ‘so these choices meant something’. They become involved and in contrast to their appearances, it is Nadia who has broken with expectations by living independently, estranged from her family, while Saeed still lives at home.At first they do the things new couples do. They text incessantly. They use recreational drugs by moonlight. They listen to music and negotiate their attitudes to sex. But the civil war takes first their freedom and then their safety. It seems like the only option is to escape.Saeed and Nadia leave through one of the ‘doors’ by which refugees leave war zones, generally after handing over money to traffickers. The ‘doors’ open and close apparently randomly, offering an abrupt dislocation from one place to another. It suggests something magical, without human agency, while the reality is anything but.While Saeed and Nadia’s home city is unnamed, the events described feel contemporary and real. However the places where they go after they leave, which are named, known locations, are subtly different, as if we’re looking at a possible future or an alternate reality. They are in social upheaval, they are more segregated, even less hopeful than they are now.Then there are vignettes throughout the book interrupting the main narrative, showing immigrants and refugees in other regions suddenly appearing through doors, as if to remind us that this is happening everywhere, all the time.Saeed and Nadia are well realised characters, at once unique and recognisable. As they leave their home the narrative fragments and their stories become less absorbing. It is as if in becoming refugees, whose main preoccupation is survival, whose choices are circumscribed, they have less time to be psychologically complex and interesting, not only to a reader but perhaps to themselves.So while the story didn’t engage me throughout the book, the ideas did, and still do. Exit West challenges you to think in new ways about a familiar issue, to question what you understand when you see generic terms like refugee or migrant applied to millions of individuals, who each has their home, their emotional life, their door, and has to make the decision to take that chance, or not, while they can.*I received a copy of Exit West from the publisher via Netgalley.
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