Download Richard Scarry's Best Storybook Ever, by Richard Scarry

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Richard Scarry's Best Storybook Ever, by Richard Scarry

Download Richard Scarry's Best Storybook Ever, by Richard Scarry

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About the Author

Richard Scarry is one of the world's best-loved children's authors EVER! Generations of children all over the world have grown up spending hours poring over his books filled with all the colorful details of their daily lives. No other illustrator has shown such a lively interest in the words and concepts of early childhood. For himself, whenever he was asked how old he was, Scarry would always put up one hand and laugh, saying, "five!"   Born in 1919, Richard Scarry was raised and educated in Boston, Massachusetts. After five years of drawing maps and designing graphics for the US Army, he moved to New York to pursue a career in commercial art. But after showing his portfolio to one of the original editors at Golden Books, he found the perfect home for his children's books.   The assignments first given to Scarry tended to be Little Golden Books that featured popular characters of the day, such as Winky Dink, Rudolph the Red-Nosed Reindeer, and Smokey the Bear. Eventually Scarry created many original characters, such as Lowly Worm and Huckle Cat. But first came Nicholas, a young rabbit clad in red overalls, for the now-iconic board book I Am a Bunny. After Scarry married children's textbook writer Patricia Murphy, she wrote many stories for him as Patsy Scarry, including the bestselling Little Golden Books Good Night, Little Bear and The Bunny Book. In his extraordinary career, Richard Scarry illustrated more than 150 books, many of which have never been out of print. His books have sold over 100 million copies around the world and are currently published in more than 20 languages. Richard Scarry Jr., also an illustrator, carries on his father's work today under the name of Huck Scarry. Richard Scarry passed away at his home in Gstaad, Switzerland, in 1994. He was posthumously awarded a Lifetime Achievement Award from the Society of Illustrators in 2012.

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Product details

Age Range: 3 - 7 years

Grade Level: Preschool - 2

Hardcover: 288 pages

Publisher: Golden Books; BCE edition (June 8, 2000)

Language: English

ISBN-10: 9780307165480

ISBN-13: 978-0307165480

ASIN: 0307165485

Product Dimensions:

7.6 x 1 x 10.4 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

1,678 customer reviews

Amazon Best Sellers Rank:

#7,750 in Books (See Top 100 in Books)

As someone who has entered his second half-century of life, I can remember as a youngster the impact of Richard Scarry books. Even when I had outgrown the simple language in his books and was reading more sophisticated fare, the whimsical pictures and busy events depicted in the books were still a source of joy.Which is why it's surprising that a lot of parents today have not heard of Scarry.That's a shame, because his books have a wonderfully engrossing quality that draws in children like few other books on the market today. Scarry's anthropomorphic animal kingdom is filled with crazy happenings and near disasters as its characters navigate their world. The illustrations contain an attention to detail that undoubtedly served as an inspiration for the "Where's Waldo" books, as little events occur in hidden places and drive curiosity and exploration of the pictures and text.This "Best Word Book Ever" is a large format book that helps beginning readers attach words to images. In this, it's exemplary, and will keep youngsters reading for hours. The simple item labels occur within a context that helps children understand how words and what they describe fit together. It's simple, yet brilliant, stuff.The best recommendation I can give: This book belongs in every household with young children. It's so good, it may be one of those that gets handed down from one generation to next. I know, because that's what I did, passing down this book that I loved as a child to my own son. And I just gave a copy to my young nephew this past Christmas.Truly essential.

Thirty-eight years ago my sister-in-law sent me the copy of this book that she had used with her children. I recently sent one to my daughter for her new baby. Because it is mostly pictures featuring sweetly drawn animals doing all the daily chores and jobs of people, it's easy to adapt the language that you, the reader, uses to tell the stories to a child so that the book grows along with the child. My daughter continued to love this book until she was about 4 years old and long after she had become the teller of the stories as we "read" the book together. It's great for providing material for interaction on many subjects ranging from hygiene to careers and for broad vocabulary building. It is not, however, racially or ethnically diverse or gender neutral. Even thought the characters are a wide array of animals, they seem oddly white and there is a definite sense that "girl bunnies, boy bunnies" do certain things, but with the right narration it works. Otherwise, it's just plain sweet and fun!

This is a nice book for labeling and commenting! I love how big this book is. I also like that it has the words above the items, so kids can start to pair the letters to the pictures. This book, as well as the others by Richard Scarry, are a great item to have to facilitate language!

This is such a cute little book. It's a little smaller than I thought it was going to be, but my 1-year old loves the size! It's like it was made for her little hands. The book does not contain a story to read, but instead shows one (or more) cars or trucks for each letter of the alphabet, for example A shows an ambulance and a car shaped like an apple, B shows a car shaped like a banana, and so on. My 3-year old is just starting to learn the ABC, and she enjoys looking at the pictures, and guessing what each vehicle is called. A fun little book, and a great way to introduce little ones to the world of Richard Scarry!

I simply adore the Richard Scarry books and am so excited to finally share my childhood favorites with my own little ones. I remembered pouring over this book for hours on extended car trips, studying the pages, as they're filled with SOO much detail in the pictures. The illustrator did a fabulous job of incorporating every day items that you wouldn't think to teach the names of to little kids. This is a great picture dictionary for toddlers and younger children who are still exploring the world and want to know what everything they encounter is! Even though this book is a bit dated to today's standards and the things we use (cell phones, ipads, laptops, etc.) there are still so many basic items that they will learn from this book. I was thrilled to see Amazon carries this when my childhood copy seemed to disappear. Definitely recommend this book to anyone with kids, or nieces/nehphews/grandkids etc that they would like to treat :)

This book is so much fun! Not only are there the standard cars like "mail truck" and "newspaper truck," there are also imaginative ones like "pickle car, pencil car and don't forget the pumpkin car!" I don't know if it's exactly a poem, but there is a lovely rhythm to the words that just makes it a joy to read. The shape of the book is fun, too--and it's nice and light, small enough for younger babies to hold. Even better than other small board books. I didn't know what to expect when I bought it, and have enjoyed it more than anticipated.

Our toddler loves the book. It's a great learning tool for animal, object,and vehicle words. The nostalgia factor and games we play with the illustrations make it possible for we parents to read the book, again and again, without going completely crazy. The thick pages make turning easier for little hands. Why four stars? In fair comparison with other "well-loved" books, the binding strength is less than ideal. I've noticed on more than one example that the cover tends to fall off with a page or two. Oh well. We made "amateur book repair" a parent-child activity. I still recommend the book.

My daughter just texted me to tell me that this book is my 2 1/2-yr-old grandson's favorite. She tells me that they were at the park on a beautiful, sunny day and she pulled this Scarry book out of one of the bags to get at something else. When my grandson spotted it, she realized she had made a grave mistake. It was "like WW III" to try to get him to part with it so they could go for a walk! He loves its small size and having it read to him and he likes the whimsical illustrations too. I'm not really surprised. She was a Scarry fan too when she was little!

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PDF Ebook Who Fears Death, by Nnedi Okorafor

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Amazon.com Review

An Origin Story Nnedi Okorafor is a writer of Nigerian descent known for weaving African culture into creative evocative settings and memorable characters. She is know for her young adult novels, including The Shadow Speaker and Zahrah the Windseeker. “My life fell apart when I was sixteen. Papa died.” Those are the opening lines of Who Fears Death. I remember when I wrote them. I was thinking of Chinua Achebe’s Things Fall Apart. I was thinking of change, cultural shift, chaos. Okonkwo’s death. And my own father’s very recent death. Yeah, all that in those two lines. In more ways than one, the opening scene of Who Fears Death, titled “My Father’s Face”, was the beginning of it all. Originally, it was not the beginning of the novel. This scene takes place well into the story when my main character Onyesonwu is sixteen and has been through so much. The original beginning was when Onyesonwu was five years old and happy, living with her mother in the desert. Nevertheless, “My Father’s Face” was the first scene I wrote. Though my stories tend to be mostly linear, I’m a non-linear writer. I’ll write the middle, then the ending, then the beginning and kind of jump around until I’m done. Then I’ll tie all the scenes together and neaten it up. Nevertheless, when Who Fears Death was all said and done, I wasn’t surprised that “My Father’s Face” turned out to be the beginning of the actual book. I started writing Who Fears Death just after my father passed in 2004. I was very very close to my father and writing was my way of staying sane. I based “My Father’s Face” on a moment I experienced at my father’s wake when everyone had cleared out of the room and I found myself alone with his body. I was kneeling there looking at his face, thinking how much it no longer looked like him and how terrible that was. My morbid thoughts were driving me into deeper despair. Then suddenly I felt an energy move though me. This energy felt highly destructive, as if it could bring down the entire building. Almost all the details in the scene I went on to write were true, I felt them…well, up to the part where Onyesonwu makes her father’s body breath. As soon as I wrote that scene, everything else rushed at me. My father’s passing caused me to think about death, fear, the unknown, sacrifice, destiny and cosmic trickery. Only a week or so after my father’s passing, I read the Washington Post article, We Want to Make a Light Baby: Arab Militiamen in Sudan Said to Use Rape as Weapon of Ethnic Cleansing by Emily Wax. I was absolutely infuriated. The storytelling spider in my head started weaving faster. I realized that this article was showing me why the people in my story’s town disliked Onyesonwu and why she was so troubled. My mother, my sister Ifeoma and my brother Emezie flew with my father’s body back to Nigeria for his burial. When they returned, I learned through my siblings about the way widows were treated within Igbo custom, even the ones with PhDs…like my mother. I was again infuriated. And I was reminded yet again of why I was a feminist. A year later, I went to Nigeria for the one-year memorial where I met my cousin Chinyere’s fiancé Chidi. His last name was Onyesonwu. I was intrigued. I knew “onye” meant “who” and “onwu” meant death. I wondered if it was an ogbanje name (these named often have the word “death” in them). I’d always been interested in the concept of the ogbanje. Amongst the Igbos, back in the day, girls who were believed to be ogbanjes were often circumcised (a.k.a. genital mutilated) as a way to cure their evil ogbanje tendencies. I asked my cousin’s fiancé what his name meant (I thought it would be rude to ask if it was an ogbanje name. Plus it was his last name, not his first.). He said it meant, “Who fears death.” That night, I changed my character’s name and the title of the story. When I did that, it was as if the novel snapped into focus. During that trip, I touched my father’s grave. I heard stories about the Biafran War and arguments about how what happened during this civil war was indeed the genocide of the Igbo people. I saw death on the highway and thanked the Powers That Be that my daughter (who was some months over one year old) was asleep. I got to watch the women in my father’s village sing all night in remembrance of my father. My maternal grandmother, mother, daughter and I were all in the same room at the same time- four generations. My sister Ngozi and I visited the lagoon that seemed so huge when we were kids but was really quite small. It was populated by hundreds and hundreds of colorful butterflies. I wrote, conceived and incubated parts of Who Fears Death while in my father’s village, sometimes scribbling notes while sitting in the shade on the steps outside or by flashlight when the lights went out. I wrote notes on the plane ride home, too. When I think back to those times, I was in such a strange state of mind. My default demeanor is happy. I think during those times I was as close to sad as I could get. When I got back to the States, I kept right on writing. Who Fears Death was a tidal wave and hurricane combined. It consumed all of my creativity and sucked in all the issues I was dealing with and dwelling on. It mixed with my rage and grief and my natural furious optimism. Yet when it came to writing the story, I was more the recorder than the writer. I never knew what was going to happen until my character told me and my hands typed it. When I finished Who Fears Death, it was seven hundred pages long. A Book 1 and a Book 2. Don Maass (my agent) felt this size was too great and suggested that I pare it down. This process took me another two years. One of my favorite quotes is from one of my greatest idols, Nigeria’s great writer and Nobel Laureate Wole Soyinka: “A tiger does not proclaim its tigritude. It pounces.” This tiger of a story definitely pounced on me without proclamation or warning. I’m glad I was ready for it. --Nnedi Okorafor

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From Publishers Weekly

Starred Review. Well-known for young adult novels (The Shadow Speaks; Zahrah the Windseeker), Okorafor sets this emotionally fraught tale in postapocalyptic Saharan Africa. The young sorceress Onyesonwu—whose name means Who fears death?—was born Ewu, bearing a mixture of her mother's features and those of the man who raped her mother and left her for dead in the desert. As Onyesonwu grows into her powers, it becomes clear that her fate is mingled with the fate of her people, the oppressed Okeke, and that to achieve her destiny, she must die. Okorafor examines a host of evils in her chillingly realistic tale—gender and racial inequality share top billing, along with female genital mutilation and complacency in the face of destructive tradition—and winds these disparate concepts together into a fantastical, magical blend of grand storytelling. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Hardcover: 400 pages

Publisher: DAW; First Edition edition (June 1, 2010)

Language: English

ISBN-10: 075640617X

ISBN-13: 978-0756406172

Product Dimensions:

6.4 x 1.4 x 9.3 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

320 customer reviews

Amazon Best Sellers Rank:

#529,746 in Books (See Top 100 in Books)

This book will change the way I see the world forever. It is a genre so different and yet so similar to those I have read before, but it made such an impression on me. I am going to read everything Nnedi Okorafor has ever written, because it will make my world better and deeper. How many books can you say have done that for you? Few for me. I cannot recommend it to you highly enough. Who Fears Death had just enough fantasy, just enough feminism, just enough social justice, and just enough beauty to leave me in awe of every word. Okorafor has won a ton of awards for a reason—I couldn't believe her talent.Onyesonwu is a formidable human being. She is strong and angry. She has power. She is not particularly feminine, and yet also incredibly woman. She is both good and bad, but mostly good. It is hard to wrap your head around her character, but she also finds it hard to wrap her head around her own self, so this isn't surprising. The result is that even though she is magical and powerful, she is also extremely human, and very beautiful.The other characters in the story begin as very two-dimensional, but as it progressed, I found myself surprised by how much I either loved or hated them. This helped reinforce the theme that all people are human, that no one deserves to be treated a specific way based on superficial impressions, and that the world can always use more compassion.If you take only one of my recommendations ever, let it be this one. Read this book.

I want to recommend this book, but I also feel obligated to warn; come to this story with a light heart, because you will be leaving with a heavy one.Who Fears Death. A great title, and the name of our protagonist as well; Onyesonwu. Nnedi Okorafor's powerful story takes place in a future Africa. How far into the future is not made clear, but the setting is very interesting. Computers and GPS systems still linger, and though they are used, no one seems to know exactly how they work. The exact setting is revealed near the end, but I won't mention it here. It feels like something to discover on your own.Onyesonwu is Ewu, a child of violence; born of rape. She is a result of the genocide by the Nuru people against the Okeke. Blinded by the writings of the Great Book, the Nuru people seek to exterminate the Okeke, and harm them by any means necessary. Even the horrors of weaponized rape. A term that I'd not heard before this book, and one that forces you to think on the evils in this world. To change her world, and wipe away these evils, Onyesonwu must rewrite the Book, and confront her murderous father to do so. The story is often hard to read, but always compelling; and the characters that fill it (Mwita, Luyu, Najeeba, and all the rest) bring it to life.Okorafor hits an intriguing mix between the fantastic and the real; I've heard it called 'magical realism'? I suppose that's as good a descriptor as any. I was impressed, and didn't put it down often. I'll be reading more of her work.

The most powerful thing about this book was that it left me depleted. I was emotionally and mentally depleted after reading this book. Two days I spent enthralled in the story and by the end of it I was completely drained. That is a good thing. Powerful stories demand something of you. You don’t just get to walk into that world and come out the same. A good story should leave its mark on you, make you pay a price for reading it. That’s what this book did to me. It took me in and didn’t let me leave until it was done with me.There were so many issues that this novel tackled. It deal with colorism, ethnic identity, rape, sexism, religion. And there are some readers out there who’re not able to handle this many issues getting thrown at them at once. They want something simpler to devour. I think that’s the case because often the people saying this don’t understand intersectional identities or even want to grasp the concept of it. Every character in this book is a crossroads of problems and issues. To me, their depth comes from the fact that they’re not just defined by one problem. They have many problems, many societal obstacles to deal. That is part of the richness of this book.Rape is largely at the center of this story and make no mistake, it is no glorification or justification of it. This tackles it head on, brutally and unapologetically as such a subject should be. The descriptions and violence honestly made me cringe and I’ve never been a victim of such a brutal act. The images contained within this novel are so powerful that I wonder if it would actually trigger something in a rape survivor. I don’t know. I just know that what I read was violent, bloody and held back on no details. And the consequences of rape (side note: how despicable is it that we have consequences for a victim?) are laid out in this book with a harsh, revealing light.The rape that sort of propels the story forward is the tragic sexual attack on Najeeba. She is a beautiful Okeke (an ethnic group I’ll talk more about later) woman and is seemingly living a simple life. One day her village is attacked by a group of Nuru (the other main ethnic group) and Najeeba is viciously raped. It’s a tough scene to read and I can only imagine it being a tough scene to write. It’s one of those scenes where you have to take a break and get a glass of water after you’re done. I can’t speak for the author, but man this must have been an emotionally draining scene to write just because of how brutal it is. Najeeba’s bastard attacker has the nerve to sing, to damn SING as he’s brutalizing a woman. I don’t know why but that particular detail just raises such anger in me. Najeeba manages to survive her rape, but she is rejected by her cowardly husband so she leaves home.Now about these ethnic groups. Okeke and Nuru in the simplest of terms are dark-skinned and light-skinned, slave and slave master. The relationship is definitely one based on colorism, but it also has its roots in some of the justification used to enslave Africans in America. In this post-apocalyptic world there is The Great Book, the religious text that everyone draws their social mores from. In this book, it is basically outlined that Okeke are shameful and deserve to be slaves of the Nuru. Sound familiar? The same kind of justification was used by whites to enslave blacks when they referred to us as descendants of Cain, the first murderer. Religion was used to enslave it and it is used in this story to enslave the Okeke. This book is used to justify the mistreatment, rape and murder of the Okeke people, driving many of them to the East where they live as exiles.This brings me to the main character, Onyesonwu, the daughter of Najeeba. She is neither Okeke nor Nuru. Because of her mixed blood and the circumstances of her birth she is called an Ewu. It is believed that the child of a violent rape is doomed to live a life of violence themselves. I think this is a statement on the danger of eugenics because how many articles are we starting to see pop up now that are trying to link personality traits and behavior to genetics? It’s a slippery slope and if we’re not careful we could be making our own Ewus in society.So you can’t help but to feel bad for Onyesonwu. She’s getting it from all angles. Of course she deals with ridicule as being the child of a rape and all the stereotypes that come with that. Internally, she’s dealing with issues of wondering if she’s anything like her Father. She has to deal with being thought of as romantically unattractive and as just lest aesthetically pleasing to the Okeke people she lives amongst. To top it all off, she’s a strong-willed woman living in a society where women are regarded as less than. I think the deeper part of all of it, is that her very existence serves as a reminder of the violence and torture that the Eastern Okeke have tried to put out their minds. She’s a constant reminder of the brethren they have abandoned. It’s so true that the things we hate are often because they remind us of something ugly in ourselves.I don’t want to give too much away, but Onyesonwu’s journey reminds me very much of the character of Aaang in some ways. The group of friends she gathers and the journey she embarks really does ultimately change the world she’s operating in. If a love of Airbender isn’t enough to get you to pick up this book it’s a post-apocalyptic African fantasy. Those three words alone should spike your interest. Ultimately, this is a book that tackles powerful topics that are so relevant to today’s world. Like I said, I walked away from this story depleted and I think that’s because even as I was whisked away to another world I was forced to still think about my own.This and other reviews can be found at: https://www.facebook.com/rrapmag

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BETTY CROCKER'S NEW PICTURE COOK BOOK. Here is a cook book that is charming, practical and fun to use. It is a complete cooking guide that includes the tried-and-true and the new-as-tomorrow, the simple and the sophisticated, foreign-inspired foods and old-fashioned American dishes. And each of the over 1,850 recipes is easy to find and easy to follow. You'll find, too: Coordinated plans for delightful dinners, lunches and breakfasts. How to freeze foods. Table setting. Celebrities' favorite menus and recipes. BETTY CROCKER'S RECIPES are the most thoroughly tested of any now being offered. Each basic recipe in this book has been tested at least 100 times. After careful testing in the Betty Crocker Kitchens by trained home economists, further tests are made by homemakers just like you in cities, towns and rural areas. Every recipe approved by Betty Crocker has been pronounced successful in home kitchens and has won family acceptance. VIVID COLOR PHOTOGRAPHS of food, 48 pages in all, generously sprinkled throughout the book. They will inspire you to new culinary heights, showing just how the finished food is arranged, garnished and served. Clear how-to-do-it pictures in black and white accompany every basic recipe, turning it into a visual lesson in cooking techniques. Clever line drawings are linked to many of the recipes, gaily illustrating the story behind the recipe. YOU'LL LOVE THE LOOK of this new cook book. The size of its brightly-patterned cover was carefully planned to fit your kitchen shelf. It's wide-spaced columns make pages so easy to read. Today's most popular recipe style is used, featuring the list of ingredients followed by the directions. SPECIAL FEATURES of this exciting book include: A guide to selecting recipes for specific occasions on each blue divider page. Garnishes. Calorie chart. Suggestions for second-day uses for foods. Holiday ideas. Regional foods. Timesaving tips. Fascinating bits of food history.

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Product details

Hardcover: 455 pages

Publisher: McGraw-Hill; 1st edition (1961)

Language: English

ASIN: B000E3E4N2

Package Dimensions:

9.6 x 7.6 x 1.2 inches

Shipping Weight: 2 pounds

Average Customer Review:

4.6 out of 5 stars

754 customer reviews

Amazon Best Sellers Rank:

#508,603 in Books (See Top 100 in Books)

I grew up cooking from this book. When I married my Mom gave the original to me and I used it until it literally fell apart. I found another that was heavily annotated by the owner and now that was also falling apart. I'm so glad to have found this third replacement, same ed. and date, and in much better condition with no markings. A great cookbook. Much loved.

This is not the exact same cookbook my mom gave me, but it's great. My son and his family love it. I love the picture pages that show exactly how something should be made. I learned to cook so many things using my mother's cookbook, and now he and his family will be able to do the same. The substitutions page is a real life saver! I never used chocolate squares when I baked, just the cocoa and extra shortening! We never kept buttermilk, so I always used the substitution for that. I've used other substitutions on the page, too. Best yellow and devil's food cakes, cookies, including brownies, and so many more. Learned to make white sauce which I used many times after. Mock Chicken Pie and Texas Barbeque Sauce are two of my favorites. I could go on, but this is too long!

This cookbook is a classic and has great recipes. I've made several of the yeast bread recipes and they always turned out delicious. I especially loved the recipe for the crescent rolls and white bread. I love that the directions for the recipes are straightforward and doesn't waste time being long winded. Some of the recipes are a bit dated, but it's fun to read them anyway and to see what people ate back in the day. I would recommend this cookbook for people who are just learning how to cook.

My mom taught all of us kids to cook (my brother, too and he rocks the kitchen as does my sister.) We had several books that were the library of the kitchen (in 1960 BC Before Computers.) We had the New York Times, The Settlement Cookbook and this one, the Betty Crocker Picture Cook Book.This book is especially good for cakes and cookies and also good for plain roasts (chicken, turkey, beef.) It's not as good for vegetables and of course it has those "salads" that some food science person concocted and should never see the light of day, and things we won't eat anymore like beef tongue (we had it growing up and it's a fine source of meat protein and makes great cold cuts but you know times change.)The brownies on Page 190 are The Best if you like cake-style brownies. I prefer slightly cakey brownies. No frosting, with that slight glaze on top when they bake. I have never found a better recipe for this style brownie. If you like the fudge, deep chocolaty, soft kind, the NYT recipe book has those. They come out less tall and you have to cut those into finger like slices, too rich for a big square like these.My sister's specialty cake is in here, too, the Rich Silver Cake. This is a pure white cake made with egg whites, no yolks. It's delicious iced with dark ganache or a fluffy milk chocolate icing but takes other icings as well. Hers used to come out with a crumb like angel feathers. Her secret was in using the mixer to adequately blend all ingredients but not over mix. Page 151.My other cake fave is the Applesauce Cake, which I recently made for friends and it went down a real treat. Can be made as a loaf or round cake and if you have homemade applesauce it's even better.The cookies are also classic, including the refrigerator cookies. I used to make the oatmeal and freeze up the dough wrapped well in wax paper and plastic. I could then slice off a half dozen baked fresh cookies for dessert with home canned fruit and my husband was always surprised and cheered to get a fresh baked cookie. And you don't have the work of dough mixing and dropping cookies endlessly on a sheet once you freeze down a batch.The pictures are usually black and white in this book but there are a few colored spreads every few sections. You can see how far food styling has come in the years since. They aren't very appealing but the b&w photos are handy references and there are method photos.This is a good book for kids learning to cook. Plenty of the "home ec" basics.

My sister got this book for a wedding present and I've had some pretty remarkable dishes that she's made from it! When I saw it on Amazon I just couldn't turn it down. I chose to buy a used one and I certainly was not disappointed. The seller had listed it as in "Good" condition and in my opinion it was in "Excellent" condition. The cover and the binding was perfect with only slight wear on the bottom corners. All pages were accounted for and intact. Of course I didn't buy it for it's "book" value. Looking through it I found one recipe marked "good" from the previous owner and a food smudge on one of the brownie recipes. For me it just made the book all the more dear. Last night I made the very basic "fluffy meatloaf" and my family thought it was fantastic. What I find most endearing is all the tips on technique and little "how to" and "what to do if". There are recipes for "tongue" and "sweetbreads" that were popular in their day. I won't be making them in my kitchen, but it is interesting to read about. Best of all are a lot of recipes that have disappeared but should come back now with the advent of everyone wanting to eat healthier. A lot of the recipes in this book use simple honest foods from the garden (organic now) with fresh quality meat (back then the meat didn't have antibiotics and was grass fed). I'll think of my sister and her best cooking advice every time I use the book....."Anyone can cook, but few can master the art of measuring and the techniques of working with the ingredients"...and that's what makes a superb cook.

I bought this for my Mom to replace her ancient copy that had the cover held together with duct tape and tons of reinforcing rings for the pages that had ripped out the holes. Some of the recipes are updated to include more modern methods and products.

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Ebook Free Clinical Skills Manual for Maternity and Pediatric Nursing (5th Edition)

Ebook Free Clinical Skills Manual for Maternity and Pediatric Nursing (5th Edition)

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About the Author

Ruth C. McGillis Bindler received her BSN from Cornell University–New York Hospital School of Nursing in New York, New York. She worked in oncology nursing at Memorial–Sloan Kettering Cancer Center in New York, and then moved to Wisconsin and became a public health nurse in Dane County. Thus began her commitment to work with children as she visited children and their families at home, and served as a school nurse for several elementary, middle, and high schools. As a result of this interest in child healthcare needs, she earned her MS in child development from the University of Wisconsin in Madison. A move to Washington State was accompanied by a new job as a faculty member at the Intercollegiate Center for Nursing Education in Spokane,  now the Washington State University College of Nursing. Dr. Bindler feels fortunate to have been involved for 38 years in the growth of this nursing education consortium, which is a combination of public and private universities and offers undergraduate and graduate nursing degrees. She taught theory and clinical courses in child health nursing, cultural diversity, graduate research, pharmacology, and assessment; served as lead faculty for child health nursing; was the first director of the PhD program; and served as Associate Dean for Graduate Programs, which include Master of Nursing, Post-Masters certificates, and PhD and Doctor of Nursing Practice (DNP) programs. She recently retired from this position and serves the college and profession as a professor emeritus, continuing work with graduate students and research. Her first professional book, Pediatric Medications, was published in 1981, and she has continued to publish articles and books in the areas of pediatric medications and pediatric health. Her research was focused in the area of childhood obesity, type 2 diabetes, and cardiovascular risk factors in children. Ethnic diversity and interprofessional collaboration have been other themes in her work. Dr. Bindler believes that her role as a faculty member and administrator enabled her to learn continually, to foster the development of students in nursing, and to participate fully in the profession of nursing. In addition to teaching, research, publication, and leadership, she enhances her life by service in several professional and community activities, and by outdoor activities with her family.   Jane W. Ball graduated from The Johns Hopkins Hospital School of Nursing in Baltimore, Maryland, and subsequently received a BS from The Johns Hopkins University in Baltimore. She worked in the surgical, emergency, and outpatient units of the Johns Hopkins Children’s Medical and Surgical Center, first as a staff nurse and then as a pediatric nurse practitioner. Thus began her career as a pediatric nurse and advocate for children’s health needs. She obtained both a master of public health and doctor of public health degree from the Johns Hopkins University Bloomberg School of Public Health with a focus on maternal and child health. After graduation, she became the chief of child health services for the Commonwealth of Pennsylvania Department of Health. In this capacity, she oversaw the state-funded well-child clinics and explored ways to improve education for the state’s community health nurses. After relocating to Texas, she joined the faculty at the University of Texas at Arlington School of Nursing to teach community pediatrics to registered nurses returning to school for a BSN. During this time she became involved in writing her first textbook, Mosby’s Guide to Physical Examination, which is currently in its eighth edition. After relocating to the Washington, DC, area, she joined the Children’s National Medical Center to manage a federal project to teach instructors of emergency medical technicians from all states about the special care children need during an emergency. Exposure to the shortcomings of the emergency medical services system in the late 1980s with regard to pediatric care was a career-changing event. With federal funding, she developed educational curricula for emergency medical technicians and emergency nurses to help them provide improved care for children. A textbook entitled Pediatric Emergencies, A Manual for Prehospital Providers was developed from these educational ventures. She served as the executive director of the federally funded Emergency Medical Services for Children National Resource Center for 15 years, providing consultation and resource development for state health agencies, health professionals, families, and advocates to improve the emergency healthcare system for children. Dr. Ball is a consultant for the American College of Surgeons, assisting states to develop and enhance their trauma systems. She is also collaborating on a pediatric explosion injury electronic curriculum and virtual pediatric trauma center conceptual design as a consultant to the Uniformed Services University of the Health Sciences.     Marcia L. London received her BSN and School Nurse Certificate from Plattsburgh State University in Plattsburgh, New York, and her MSN in pediatrics as a clinical nurse specialist from the University of Pittsburgh in Pennsylvania. She worked as a pediatric nurse, and began her teaching career at Pittsburgh Children’s Hospital Affiliate Program. Mrs. London began teaching at Beth-El School of Nursing and Health Science in 1974 (now part of the University of Colorado, Colorado Springs) after opening the first intensive care nursery at Memorial Hospital of Colorado Springs. She has served in many faculty positions at Beth-El, including assistant director of the School of Nursing. Mrs. London obtained her postmaster’s Neonatal Nurse Practitioner certificate in 1983, and subsequently developed the Neonatal Nurse Practitioner (NNP) certificate and the master’s NNP program at Beth-El. She is active nationally in neonatal nursing and was involved in the development of National Neonatal Nurse Practitioner educational program guidelines. Mrs. London pursued her interest in college student learning by taking doctoral classes in higher education administration and adult learning at the University of Denver in Colorado. She feels fortunate to be involved in the education of her future colleagues and teaches undergraduate education. Mrs. London and her husband, David, enjoy reading, travel, and hockey games. They have two sons: Craig, who lives in Florida with his wife, Jennifer, and daughter, Hannah, works with Internet companies; and Matthew, who works in computer teleresearch. Both are more than willing to give Mom helpful hints about computers.   Michele R. Davidson completed her ADN degree from Marymount University in Arlington, Virginia. She has worked in multiple women’s health specialty areas including postpartum, newborn nursery, high-risk nursery, labor and delivery, reproductive endocrinology, gynecology medical-surgical, and oncology units as a registered nurse while obtaining a BSN from George Mason University in Fairfax, Virginia. Dr. Davidson earned her MSN and a nurse-midwifery certificate at Case Western Reserve University in Cleveland, Ohio, and continued to work as a full-scope nurse-midwife for 16 years. She has delivered over 1000 babies during her career as a nurse-midwife. She completed her PhD in nursing administration and healthcare policy at George Mason University (GMU) and began teaching at GMU in 1999 while continuing in her role as a nurse- midwife. Dr. Davidson serves as the Coordinator for the PhD program in the School of Nursing. She has an interest in women’s mental health and focuses her research on perinatal and postpartum mood and anxiety disorders. Dr. Davidson also has an interest in the care of individuals with disabilities; she serves as a member of the Loudoun County Disability Advisory Committee and is a disability advocate in her community. She was a member of the American College of Nurse-Midwives Certification Council, the body that writes the national certification examination for certified nurse-midwives. She is a member of numerous editorial and advisory boards and has a passion for writing. In 2000, Dr. Davidson developed an immersion clinical experience for GMU students on a remote island in the Chesapeake Bay. In 2003, she founded the Smith Island Foundation, a nonprofit organization in which she served as executive director for 8 years. Dr. Davidson has also completed certifications in lactation consulting, forensic nursing, and surgical first assistant. In 2012, her book, A Nurse’s Guide to Women’s Mental Health, won an American Journal of Nursing Book Award. In her free time, she enjoys spending time with her mother, writing, gardening, Internet surfing, and spending time on Smith Island with her nurse-practitioner husband, Nathan, and their four active children, Hayden, Chloe, Caroline, and Grant. Dr. Davidson and her family love the Eastern Shore of Maryland and continue to be part-time residents of Smith Island. 

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Product details

Paperback: 240 pages

Publisher: Pearson; 5 edition (March 27, 2016)

Language: English

ISBN-10: 0134257006

ISBN-13: 978-0134257006

Product Dimensions:

8.6 x 0.9 x 10.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#377,810 in Books (See Top 100 in Books)

Nice images. Useful information for nurses, all together in one lightweight, portable resource. Helpful.

Product as advertised

This is a great resource, but I'm giving it four stars due to price. It's a thin little book and I expected more.

very helpful

In new condition.

Good

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Get Free Ebook , by Rob Schmitz

Get Free Ebook , by Rob Schmitz

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Product details

File Size: 9442 KB

Print Length: 337 pages

Publisher: Crown (May 17, 2016)

Publication Date: May 17, 2016

Sold by: Random House LLC

Language: English

ASIN: B014BR46UC

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Amazon Best Sellers Rank:

#217,802 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Rob Schmitz is an American from Minnesota working as a financial journalist in China. During his stay in Shanghai, he has taken the time to get to know his neighbors, his neighborhood, and the street-level history of his adopted country. In Street of Eternal Happiness: Big City Dreams Along a Shanghai Road, he tells their stories, and in doing so tells the story of China in the 20th and 21st century.Schmitz lives in the former French Concession, where European architecture mixes with traditional Chinese culture. In Shanghai, city dwellers mix with immigrants from rural areas. Some of Schmitz's friends are among those immigrants, and tell stories of life as hukou system. Under this system, Chinese were forever tied to their hometown. Their travel and employment opportunities were limited. Schmitz points out that "the hukou system may have treated millions of people like illegal immigrants in their own country," even comparing it to apartheid in South Africa.Depending on the generation, Schmitz's friends have different memories of the Cultural Revolution. Some of his neighbors had their livelihoods taken away and their families split up due to Mao's policies. In hopes of making China a progressive economic force, the Chinese government implemented hukou, the one-child policy, and various propaganda campaigns to accomplish their goals. As a result, "the Chines had evolved into a people who had learned to detect the slightest ideological shifts in the ruling hierarchy so that they could quickly recalibrate their positions, protecting themselves and their families." I was surprised at the extent to which some of Schmitz's subjects wanted to avoid talking about the past. They thought all that was best forgotten.One former neighbor he met, through a series of letters he found in an antique shop, had immigrated to the U.S. He moved to New York and tried to find work, get his GED, and enjoy life in the United States. "He has spent his childhood learning about the evils of capitalist America from his school textbooks, but when he arrived in New York, he discovered its capitalists treated their poor much better than the Communists did back home." I wonder how common this sentiment is among Chinese who come to America, realizing that however much they love their country, its culture, and its people, their government and its policies and propaganda are pretty messed up.I will probably never have the opportunity to travel to China. Even if I do, I am sure I will not have the opportunity to build relationships over time with Chinese neighbors the way Schmitz has. I appreciate his story telling, the sense of culture and history he captures in these stories, and the street-level view of Chinese life and culture he portrays in Street of Eternal Happiness.Thanks to Edelweiss and the publisher for the complimentary electronic review copy!

In short, this is the best book I've read this year.I received it the night before a flight to Shanghai, and today I had the chance to visit the street of eternal happiness. As someone who was born and raised in Shanghai, I find myself rediscover this street like for the first time, even though I have been there countless number of times.What Mr. Schmitz did very well here is that he just plays a role of someone who observes and let the main characters develop their own stories, one can barely notice him, yet he is putting all these together in this remarkable book.I was at CK's sandwich store today, unable to find CK himself because he was on other assignments (I was told he is having concerts, which, if it is true, doesn't really surprise me because of the fact that he once chose one of Liszt's most famous and difficult pieces to get a job). When I introduced this book to the waitress, she couldn't believe that a complete book is dedicated to such a small street, how can someone write so much for our street?! There's a bookshelf in the store, unfortunately I didn't see this book, I wish I had brought a second copy today so I could leave one there. From my conversation with the waitress and the chef, I have the feeling that they probably know nothing about CK's story, and for all the office workers having quick lunch today, this is just a restaurant like all others.Except that Mr. Schmitz's book reminds me that it is not, just like all other stories in this book, story like this matters, history matters, a celebration of Chinese life, far from perfect, but it's real.I feel very fortunate that in today's world there's still journalist like Mr. Schmitz who is working hard to record the history of ordinary people and to preserve the oral history happened in places lost almost in every other platforms.

My Russian emigre parents and I, as a very young child, lived at 698 Changle Lu, House #1, before my family was able to migrate to Australia in 1950, so I will be buying an extra copy of this book to give to my 95 year old mother. She will enjoy this charming look at the lives of the current residents of a pretty tree lined part of the old French Concession, where I have been fortunate to visit several times, although next time I shall bring this book with me. What I appreciate so much is Rob Schmitz's great humanity in telling these stories and his understanding of the differences in culture between his Chinese neighbors and the West. He is not at all judgmental, but at all times sensitive to the feelings of the people who have entrusted him with their life stories. China is changing with great speed and becoming more and more like anywhere else, so it is wonderful to have a snapshot of Chinese lives at this particular point in time, with its finely tuned ear to the differences between country and city and even between separate parts of this vast land. This is a heartfelt and sympathetic portrait which still displays without flinching the difficulties that still exist.

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